Public archaeology and the use of digital platforms

Posted on August 31, 2016

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Every Wednesday I post new videos from conferences I have recorded… and today is no different. This weeks videos:

Session Abstract:
Ingvild Solberg Andreassen
The past decade or so has seen a great increase the in digitalization of archaeological materials. More data than ever before is being collected in the field. Archaeologists are online while excavating, blogging and tweeting, and all projects now have a Facebook page. For a while, accessibility has been a buzzword within the archaeological community. But what happens to all the digital efforts—all the databases, the Facebook pages, blogs and so on? How is it picked up, how is it received and perceived by the public? This session is particularly concerned with deep oceans of digital data and technology as point of departure for exploring learning, understanding and knowledge building in archaeology. How is data picked up and used by different public groups, why, and under what circumstances? How is data and technology used by institutions to create dialogues with the public, if at all? How is this problematized within the research community? Are data and portals customized with the public’s interest in mind? What about the potential of technology in bridging the gaps between excavation and museum, excavation and school, and excavation and the private sphere? Is this explored? If yes―how, if not―why not? Have you done an interesting project using social media, GIS data or database information with a group of students, with a school, or with a local community? Come and tell us about it! We are interested in harvested experience from the practical side of things as well as theoretical reflections over the connections between archaeology, digital data, the public and society. We welcome contributions presenting and discussing outreach projects, public archaeology projects and theoretical contributions concerned with learning, mediation and public dialogue. Keywords for this session are: social media, learning, dialogue, public archaeology, data collection.

S25-01 Co-designing digital community archaeologies: Experiences from the re-reading the British Memorial Project

 

https://youtu.be/-xx3NyGvcMk
Gareth Beale, Nicole Beale
The Re-Reading the British Memorial Project began as a small scale documentation project which aimed to share digital imaging expertise with community groups studying burial spaces. In response to the requirements of community groups and with their collaboration the project has now expanded to support community led research at every stage of the data lifecycle from creation to re-use. The project has also grown to incorporate an increasingly broad range of stakeholders including national organisations and university research clusters as well as community groups and volunteers.
This presentation will discuss some of the practical issues which arise out of the collaborative development of methodologies for digital archaeology and will explore the challenges and opportunities involved in moving from being a local project based on personal relationships to a national project working remotely with multiple partners. We will critically assess different methodological directions which have been trialled by the project and will describe our current strategies for community engagement and collaboration.
S25-02 Using Google Earth applications to enhance public engagement with cultural heritage: An evaluation of Seeing Beneath Stonehenge

 

https://youtu.be/7LWl2Cn1NTo
Kate Welham, Lawrence Shaw, Mark Dover, Harry Manley, Mike Parker Pearson
This paper discusses the nature of public engagement with Google Earth based heritage applications, and considers whether the full potential of this media has yet been realised. It focuses on an evaluation of Seeing Beneath Stonehenge (https://microsites.bournemouth.ac.uk/seeing-beneath- stonehenge/), a free to use, Google Earth based application that was created from the wide variety of spatial data collated as part of the Stonehenge Riverside Project. The work was funded by Google, and aimed at creating a public platform where users could travel around the Stonehenge landscape examining a broad range of research results in-situ. Trench locations, findings and excavation images were included, along with broader landscape studies such as geophysical surveys and narrated tours of key monuments.
We discuss the release, uptake and user feedback from Seeing Beneath Stonehenge. Web statistics are used to examine the use of social media in driving downloads, issues such as initial peak use and plateau, and the geographic distribution of users are considered. In particular we present the results of an online questionnaire that was aimed at examining how the application might have stimulated additional interest in the archaeology of Stonehenge and its wider landscape. Results were obtained from over 100 users, and the majority gave an overwhelming positive reaction to the application. Over 80% stated they were now more likely to visit the monument. We discuss the results, including ‘experience limiting’ factors such as technological familiarity. Finally we consider why Google Earth applications are yet to be fully utilised within archaeology, and their potential to appeal to a public with an insatiable demand for engaging and informative content.

S25-03 Rekrei: A public platform for digitally preserving lost heritage

 

https://youtu.be/wSCtrq_JMFM
Matthew Luke Vincent, Chance Coughenour, Fabio Remondino, Mariano Flores Gutierrez, Victor Manuel Lopez-Menchero Bendicho, Dieter Fritsch
Rekrei (rekrei.org), formerly Project Mosul, is one of those projects that grow out of a conversation between two friends. The co-founders, Matthew Vincent and Chance Coughenour, were discussing the destruction of heritage in the Middle East by extremist groups such as the self-proclaimed Islamic State when Coughenour suggested that they could begin to crowd-source images and photogrammetrically create digital reconstructions of the heritage that was being systematically destroyed. A week later, Rekrei was born. Neither ever imagined that it would get the public’s attention, but such a project provides a very real and tangible response to the senseless loss of humanity’s past. 6 months later, Project Mosul has continued to grow, shifting from a single focus in norther Iraq, to a global focus on lost heritage everywhere. The co-founders are exploring ways they can continue to build tools that help identify monuments in danger, areas that should be prioritised for scanning and preservation, and ways they can continue to connect the public with tangible means of preserving the heritage. This paper explores some of these new topics, dealing with authenticity of 3D reconstructions, while also at the same time looking at public, crowd–sourcing projects and the challenges that they present when you combine a group of non–experts and high-profile destructions. Future work is looking at how this platform can be applied towards risk assessment and management, as well as improving the available tools to empower the public to engage in such reconstruction efforts for the preservation and recovery of lost heritage.
S25-04 Photomodeling and webmappingn on archeological site of Carthage (Tunisia) and data collection in the museum of Bardo (Tunisia)

https://youtu.be/SBqUZ25PqCo
Meriem Zammel
In the context of the project Hologramme: “Harmonize the opportunities related to new guidelines for the management of archaeological Mediterranean resources and development of a network of experiences” between Italy and Tunisia, a multidisciplinary team formed of archaeologists, architects, computer scientists worked together in order to showcase Tunisian and Sicilian Heritage by using new technologies. The aim of this paper is to present our contribution in this project by teaching digital archaeology at Tourath association, by Photo modeling objects and statues in site of Carthage and Museum of Bardo, and preparing social media to public in order to help him to understand the particularity of cultural heritage in this area and history, through 3D modeling of monuments and videos. Those objects are witnesses of the past. The sponsor of this project for Tunisia is the cultural heritage agency (AMVPPC) which has chosen the society NGI (Maghreb) for the webmapping. Thereby, interactive maps using web mapping, 3D models of monuments and image based modeling of objects obtained from Autodesk 123 catch were made in order to show the historical stratification of Tunisia. Automatic image based modeling constitute an accurate and low cost technique. Multiple data sources (Photos, text, 3D model, Photo model…) are used and integrated in a web system in order to show to the visitor a way of understanding and documenting the past.

S25-06 DOMUS: Cyber─archaeology and education

https://youtu.be/yny367X3oMQ
Alex da Silva Martire, Tatiana Bina
This presentation is focused on the development and implementation of the project elaborated by the Laboratory for Roman Provincial Archaeology (LARP—University of Sao Paulo) named DOMUS: the first online Brazilian cyber–archaeological application that enables users to navigate in three–dimensional virtual environment that simulates an ancient house during the Roman Empire. It will be presented the application development process starting from its initial conception (based on archaeological remains of Pompeii and Herculaneum), through the complete modeling and texturing in Autodesk Maya software to the creation of real-time interactivity on the Unity engine. We will focus on the implementation of our educational proposal in schools. DOMUS was applied for the very first time at Colégio Unidade Jardim (a high school in Sao Paulo). The activity consisted of asking the students (aged from 10 to 12 years) to navigate through the idealized three–dimensional Roman house in order to explore its rooms and objects, and also to perceive inherent subjects belonging to Pompeian domestic art and architecture. The main intended goals of our proposal were: a) enable an otherness experience for students (so they can reflect on the historical use of the house); b) make use of “L’histoire du quotidian” (a much more approachable way to present History to students); c) discuss the technological and historical choices that were made during the development of the application; and d) evaluate the reception of the application. In this manner, it will be presented the stages involved in the implementation of the activity with students and how our cyber-archaeological application allowed them to establish the link between archaeological remains and their own daily lives through computer emulation.
S25-07 Democratising the digital: Sustaining community─sourcing platforms for heritage management and conservation by co-creation

https://youtu.be/MyXQXBuRLhQ
Leif Harald Fredheim
While the rise of interactive digital networks and technology has challenged established societal and intellectual authorities, digital heritage often exacerbates perceptions of expertise and entrenched flows of information. This paper will explore one way in which the democratising potential of the digital can be used to empower communities without neutralising professional expertise. As heritage conservators and managers increasingly recognise the role of non-expert contributions to informed decision-making processes, the development of tools for generating and processing consultation data digitally is the logical next step. This paper reflects on lessons learned from developing a web-application for community–sourcing heritage interpretations at the Middle Temple and the ongoing process of co-creating a similar platform with, and for, community archaeological groups affiliated with the Council for British Archaeology (CBA). A common feature of the two platforms is the integration of ‘expert’ and ‘non–expert’ interpretations of heritage and the attribution of expert interpretations to identifiable individuals rather than anonymous and omniscient third parties. The development of a community-sourcing platform for the CBA is part of a project investigating the sustainability of community-led approaches to archaeological stewardship, in response to recent cuts to public spending in the UK. Co-creating the platform with potential user-communities is intended to ensure that the platform satisfies user-needs, not merely the needs of professionals and academics, and can be sustained by user-communities. Participation will be facilitated through training events and concerted efforts to raise levels of digital literacy in participating communities.

 

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